“造化”系列是我继“守护”和“迁徙”系列之后创作状态调整的一个重要阶段，也是自我修炼的一种方式。我想再回到原点, 感受“造化”对艺术本身的后坐力，吸收自然的能量，作为下一个阶段“造·造化”的发力点, 因为路就在我们的脚下。

这一系列主要以自然景观为原点，以秦岭之上和之下为背景，以载有我们儿时梦想的玩具(纸飞机，纸船，纸鹤)为画眼，来言说我对方向的感知。正如费大为所说，当中国的当代艺术触及到它的天花板之后，再应该怎样，也是我们的反思所在，我们应该返回原点，再发力，寻找新的出口。

所以“造化”系列是下一个创作阶段的引子，更是启程，我一直在路上。

石珩伯

于纺织城艺术区工作室

2009 5

Series

　　Self Statement

It is a very important stage of my adjustment on creation state after the series of and , or to say it is a way of self discipline. I wish to return the base point in order to feel the recoil of , to assimilate the energy of nature and to prepare for the next stage of creation. For the path has been placed before us.

The series of < The Plan of Nature > take the natural scenery as the base point, the environment of Qin Ling as the background and the playthings we have ever dreamed in childhood as the key to describe my perception on direction. As Fei Dawei said that, what we should do when contemporary art touches its own limitation, is to reflect, to return the original point and then to exert force to find the new exit.

Therefore, the series of < The Plan of Nature > is opening words for the next creation, or to say, the forth faring. I am on my way all the time.

Shi Hengbo

　　Studio in Textile City Art District

　　2010-4-15

【编辑：霍春常】

编辑：霍春常