绿灰蓝 俸正泉作品
我最近的这批作品总的说来是围绕我的艺术工作本体为中心来展开的，也就是说，创作的过程就是我创作的目的。颜料、颜料管、画笔、书籍、甚至一个笔触等等，这些都是我艺术创作的工具，但是我在作品里转换了它们的角色，让其成为我创作的对象，我试图传递出这种悖论和纠缠的关系。
My recent works focus on the ontology of my art. That is to say, the process of art making is exactly the purpose of it. Paint, tube, brush, book, and even a brushstroke are methods of art making, but I changed their roles in my work, making them the object of my art. I try to convey the idea of this paradox and complexity
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这批有文字的作品和我的阅读体验有关。当我不画画的时候，阅读是我另一个很重要的工作，我希望通过阅读带来一些新的感受，但是在阅读的过程中我遇到了很多障碍：一个词语，一段话，有时候甚至一整篇文章，我都无法理解其到底在说什么，当然这和我的知识储备不够强大有关，但是也不排除现在的批评写作有生硬造作的嫌疑，我只能通过一些关键词大概知道作者在说哪方面的内容，但是这种阅读的结果是断裂的，这种断裂感是我阅读的体验。
There works with letters are related to my reading experience. Reading is another important task for me when I am not painting. I hope to get some new feeling from reading, but it turn out to be difficult: it is hard to understand a word or a sentence, and sometimes I cannot understand the whole article. This has something to do with the limited range of my knowledge, but the obscure style of contemporary criticism should also be held responsible. I only grasp the main idea of the article from the key words, but this is a rupture in reading. This rupture is my experience in reading.
《我的颜色》系列，我抽离了绘画的所谓意义，留下一种视觉体验，远看我的画画得很真实，很具象，近看则是很抽象的笔触，什么都不是，这纯属我内心对绘画行为的体验。我很喜欢油画颜料在布上滑动的感觉，它可以覆盖、可以修改，可以厚可以薄，可以保留痕迹也可以让痕迹消失等等，油画的这些特点让其技术性来说更加容易控制，这也使得我在创作过程中不会陷入对技术的迷恋甚至研究。我需要呈现那种既真实又让人炫晕的质感，这种质感吻合了我内心对绘画这种艺术方式的复杂情感。
In My Colors series, I do away the meaning of painting, leaving only a visual experience. Looked from a far, my painting is realistic; when looked closely however, there are nothing but abstract brushstroke on the surface. This belongs to the realm of my inner experience of painting. I like the feeling of brush moving on the canvas. I could cover the paint, change it, make it thick or thin, and I can choose to leave the traces or erase it. Such features of oil painting make it technically easy. I need to demonstrate the real and dazzling texture, which is in line with the complicated feeling towards this form of art in my heart.
