王林

　　作为一位执着的艺术家，傅榆翔喜欢带有梦魇感觉的图象，我比较喜欢的作品是他的《树妖》系列。在这些作品中，他找到了一种有意味的形式，把树枝、树根的造型和人体特别是女人体结合起来，让人觉得新鲜而富有诗意。这些图象的来源和重庆的黄桷树多少有些关系。黄桷树作为重庆的市树，在岩壁暴露根系、盘根错节、枝繁叶茂，有非同寻常形态特征。傅榆翔利用有机体的相似性，创造出自己的绘画形式，可见画家平时用心良苦。

　　前言·于川美桃花山2004年5月15日

　　As a dedicated artist, Fu Yuxiang tends to produce those images that arouse a nightmare-like sensation, among which I personally like his Wood Sprite series. He has been able to find a form of meaning among his works by refreshingly and poetically combining the shapes of tree branches and roots with the form of female bodies. The source of these images more or less has a bearing with Ficus virens in Chongqing, which as the city tree of the municipality usually exposes its complicatedly twisted roots with intercrossing branches on the verge of cliffs, thus creating unusual morphological features. Having perceived the similarity of organisms, Fu Yuxiang successfully originated his own form of painting, which also reveals the artist’s commitment to his artistic creation.

　　From Wang Lin’s Preface,

　　written at Taohua Hill, Sichuan Academy of Fine Arts,

　　on May 15th, 2004

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