李小山

　　同时我觉得，傅榆翔在安排阶段性任务时体现出来的总体观显得相当成熟，这种成熟表现在脚踏实地的自我超越上，在这一过程中，没有所谓的进步和退步，它只是有意识并且有见识地推动每一次超越。或许，傅榆翔还有更大程度的空间，那样的话，他每一个阶段的成果都是有力的见证。

　　傅榆翔曾使了很大的劲研究造型、色彩、用笔、肌理，做的工作已足够了，从他的画作里我们清晰地发觉了他这方面的全部优点，丰富性和复杂性只在某种阶段具有魄力，而寻找纯粹的形式和表达，则是衡量傅榆翔下一步创作尺度，缺少这个，它的工作似乎才完成了一半，所以我说，他应该建一座自己的桥，渡过去，完成全部过程。

　　建一座自己的桥·2004年9月3日于南京

　　Meanwhile, as I see it, Fu Yuxiang has demonstrated a mature capability of making an overall planning for periodic tasks. This type of maturity is manifested in a down-to-earth self-transcendence, during which process there is no such thing as so-called progress or retrogression but only a transcendence motivated by a well-informed self-consciousness. Perhaps there’s even more space for Fu Yuxiang’s artistic creation and in that case it will be witnessed by success of each stage.

　　Fu Yuxiang once made enhanced efforts and contributed sufficient work to the study of modeling, coloring, brushing and texture. From his works we can find a clear clue to all his strong points in this field. As richness and complexity are expression of vigorousness only at certain stage, the search of pure form and expression shall be regarded as the measurement of Fu Yuxiang’s creation at next stage. With this being absent, his work only seems half-done. Therefore, my comment would be he builds a bridge of his own and then cross over to complete the whole process.

　　From Li Xiaoshan’s Building A Bridge of His Own,

　　written in Nanjing,

　　on September 3rd, 2004

编辑：admin