叶永青

　　傅榆翔的画有着无尽的辽阔的苍茫感，万物沉寂而各得其所，那是对生命自由的渴望与追求，他以艺术肯定对人间的“怜悯”，把生命价值置于艺术价值之上，换言之，他的艺术“价值”是在传达对生命的态度与对人间的期许，亦即人洒脱飘逸的，生命是自由自在的，但是在飘逸、自由间，仍旧带着由焦虑与不安转化而来的无奈和感伤，而这些矛盾的因素现在已化为“凄迷的诗质”，隐藏在他浪漫抒情的艺术风格中。

　　凄迷的诗质·2004年5月12日夜于山城桃花山

　　With a vast expanse of boundless infinity, Fu Yuxiang’s paintings reveal a quiet stillness of the creatures in their own proper place, reflecting an aspiration and pursuit of ultimate freedom. The artist with his works of art shows his “pity” on the world of mortals and places the value of life above that of the art. In another word, the artistic value is embodied by the delivery of artist’s attitude towards life and his expectation on the world of mortals, namely, the concept that humans are elegantly free and life is untrammeled. But in between there is still presence of palpable feelings of resignation and sorrow resulted from anxieties and worries. However, such contradictory factors have now melted into “poetic melancholy” hidden an artistic style of lyric romance.

　　From Ye Yongqing’s Poetic Melancholy,

　　written on Peach Blossom Mountain,

编辑：admin