参考文献：

[1] Clement Greenberg, “Avant-Garde and Kitsch”, first published in 1939, from Art and Culture: Critical Essays, Beacon Press Boston, 1961. pp9-10

[2]Caroline A. Jones. Eyesight alone Clement Greenberg’s Modernism and the Bureaucratization of the sense，霍林格是这样来描述佛里曼的心态的：他迷惑于传统犹太文化的离散，从未被它的宗教断言所劝服过，这个年轻的自由人试图为他自己在西方世俗文学传统中找到根基，尤其是在启蒙和英国浪漫主义文学中。对于他的父亲的商业主义的敌意，使他力图寻求让自己从犹太商人气质中脱离出来。他的生活在16岁的时候获得了目标，他发现了《大众》杂志，那里有“纯朴的美国人，他们把这个世界的各种冲突的价值结合到了一起，佛里曼追随《大众》，从摩西和耶稣那里走向维纳斯和阿波罗，在这种逃离中，发现了其他像他一样的灵魂，佛里曼开始感觉到，他和他的朋友在文化上已不再是犹太人了，而毋宁是西方人，从开始交融在一起，是一种把耶路撒冷、埃及、希腊和古代罗马价值与中世纪天主教文化、文艺复兴人文主义文化、法国革命平等主义理想和19世纪科学概念结合到一起的文化的一个部分。这个东西，他们给了它一个名字，那就是社会主义，对于他们来说，这就是西方文化的高峰。P.27

[3] Ibid, p. 28

[4] Florence Rubenfeld, Clement Greenberg：A Life, Scribner, 1997. pp86-99

[5] Irving Babbitt，The New Laokoon: An Essay on the Confusion of the Arts，Houghton Mifflin，1910, p.vii-xiv

[6] Clement Greenberg, “Toward a Newer Laocoon”, from Clement Greenberg: The Collected Essays and Criticism, Edited by John O’Brian, The University of Chicago Press.1993，pp29-30

[7] Clement Greenberg, “Abstract. Representational, and so forth”, first published in 1954, from Art and Culture: Critical Essays, Beacon Press Boston, 1961. p.135

[8] Ibid, p137

[9] Clement Greenberg: The Collected Essays and Criticism, vol.1, Edited by John O’Brian, The University of Chicago Press.1993, p.67

[10] Donald B. Kuspit, Clement Greenberg：Art Critic The University of Wisconsin Press, 1979, p. 9

[11] 拉扎鲁斯是格林伯格在叙拉古大学(Syracuse University)学习时期的同学，当时两人都是19岁，信件是在1994年格林伯格去世之后，格林伯格的妻子凡.霍内(Janice Van Horne)在整理他的遗物时发现的，从1928年开始，一直持续到1943年。这些书信经霍内编辑整理之后，2000年由华盛顿的Counterpoint出版社正式出版，书名为《与哈罗德的通信：1928-1943》(The Harold Letters: 1928-1943)。

[12] Clement Greenberg, The Harold Letters: 1928-1943, the Making of an American Intellectual，edited by Janice Van Horne, Counterpoint, 2000, p. 43

[13] Ibid, p. 66

[14] Donald B. Kuspit, Clement Greenberg：Art Critic The University of Wisconsin Press, 1979, p. 6

[15] Clement Greenberg, Clement Greenberg: The Collected Essays and Criticism, Edited by John O’Brian, The University of Chicago Press.1993

[16] Clement Greenberg, “Avant-Garde and Kitsch”, first published in 1939, from Art and Culture: Critical Essays, Beacon Press Boston, 1961. p. 9

[17]Hans Hofmann, Search for the Real and Other Essays, Edited by Sara T. Weers and Bartlett H Hayes Jr, MIT Press, 1967，p. 43

[18] Clement Greenberg, Clement Greenberg: The Collected Essays and Criticism, Edited by John O’Brian, vol1. The University of Chicago Press.1993, p.34

[19] Clement Greenberg, Clement Greenberg: The Collected Essays and Criticism, Edited by John O’Brian, vol.2. The University of Chicago Press.1993，p.263

[20] J. Benjamin Townsend, “An Interview with Clyfford Still”, Gallery Notes, Albright_Knox Art Gallery ,25, No.2, 1961, p. 11

[21] “An Interview with Jackson Pollock”, from Francis O’Connor, Jackson Pollock, MOMA，1967，pp.79-80

[22] Robert Motherwell, Interview, “Painting as Existence”, Metro, 1962, p.95

[23] Michael Fried，Art and Objecthood：Essays and Reviews，University of Chicago, 1998, pp.148-177

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