艺术家介绍

参展艺术家 Participant Artists

安托尼·施密特 Antoine Schmitt (FR)

菲利斯·德丝蒂尼·德奥文 Felicie d’Estienne d’Orves (FR)

法兰斯·卡德 France Cadet (FR)

格雷戈里·夏通斯基 Grégory Chatonsky (FR)

劳伦·佩诺 Laurent Pernot (FR)

奥利维尔·瑞兹 Olivier Ratsi (FR)

皮耶-劳伦·加斯耶 Pierre-Laurent Cassière (FR)

皮耶瑞克·索林 Pierrick Sorin (FR)

旋诺高斯汶 Scenocosme (FR)

胡介鸣 Hu Jieming (CN)

杜震君 Du Zhenjun (CN)

林俊廷 Lin Junting (TPE)

徐文恺 aaajiao (CN)

吴珏辉 Wu Juehui (CN)

张辽源 Zhang Liaoyuan (CN)

王仲堃 Wang Chungkun (TPE)

姚仲涵 Yao Chunghan (TPE)

郑云瀚 Zheng Yunhan(CN)

刘毅+复旦大学上海视觉艺术学院学生 Liu Yi+SIVA Students (CN)

姚大钧 Dajuin yao (TPE)

范宗海 Fan Zonghai (CN)

叶蕊 Ye Rui (CN)

邵鼎 Shao Ding (CN)

杨志敏 Yang Zhimin (CN)

安托尼·施密特

Antoine Schmitt(法)

身为视觉艺术家的安托尼·施密特目前工作和居住在巴黎。他极简和激进美学的灵感来自动力学、控制学、艺术论、哲学及科幻小说。他以对现实中的棘手问题提出质疑为手段来展现和操控作品中的张力。原为编程师的安托尼·施密特将程序作为作品核心，在展览中，他不断将这个理念与音乐、舞蹈、建筑、文学或电影相结合，不断塑造着新的面貌。作为gratin.org门户网的理论创始人和编辑，他深入探究着编程在艺术领域中的运用。曾合作过的伙伴包括：Vincent Epplay、Jean-Jacques Birgé、Atau Tanaka、Anne Holts and Jean-Marc Matos、Alberto Sorbelli、Joana Preiss、Juha Marsalo。

安托尼·施密特的作品曾在多个国际艺术节中荣获奖项。如：柏林Transmediale艺术节(2007年二等奖，2001年荣誉奖)，林茨电子艺术节(2009年二等奖)，巴黎UNESCO国际视频舞蹈节(2002年，在线一等奖)，马德里Vida 5.0(2002年名誉奖)，德国德雷斯顿CYNETart(2004年荣誉奖)，雅典medi@terra(1999年一等奖)，德国贝尔福Interférences(2000年一等奖)，俄罗斯2003年michinista;并在多个国家和地区进行展出，如巴黎蓬皮杜艺术中心(2002，2004，2006)，巴黎现代美术馆(1999)，巴黎装饰艺术博物馆(2009)，巴塞罗那Sonar(2002，2004，2005)，奥地利林茨电子艺术节(2003，2009)，意大利锡耶纳的CAC(2004)，法国里昂当代艺术博物馆(1997)，法国巴黎Nuit Blanches(2004，2008)，法国亚眠(2007)，法国梅兹(2009)，比利时布鲁塞尔和西班牙马德里(2010)。其部分作品被收藏于法国Espace Gantner Bourogne和法国巴黎Digitalarti基金会。

Artist of Visual Arts, Antoine Schmitt lives and works in Paris. He creates installations of minimal and radical aesthetics. Inspired by kinetic and cybernetic art, by philosophy of science-fiction, he reveals and literally manipulates the forces in his work by questioning the conditions of being in complex systems of reality. Starting programming engineer, he uses the program at the core of most of his artworks. Antoine Schmitt, individually or through collaborations, has confronted this approach to established artistic domains like music, dance, architecture, literature or cinema, revisiting their codes. As a theoretician, conference and editor of the gratin.org portal, Antoine Schmitt explores the field of programming art. He has thus collaborated with Vincent Epplay, Jean-Jacques Birgé, Atau Tanaka, Anne Holts and Jean-Marc Matos, Alberto Sorbelli, Joana Preiss, Juha Marsalo…

His work has received several awards in international festivals: Transmediale Berlin, (second prize 2007, honorary 2001), Ars Electronica Linz(second prize 2009), UNESCO International Festival of Video-Dance Paris(first prize online 2002), Vida 5.0 Madrid(honorary 2002), CYNETart Dresden (honorary 2004), medi@terra Athens(first prize 1999), Interférences Belfort(first prize 2000), machinista 2003 Russia, and has been exhibited, among others, (at the Centre Georges Pompidou Paris, 2002, 2004, 2006), the Musée d’Art Moderne de la Ville de Paris (1999), Musée des Arts Décoratifs (Paris, 2009), Sonar (Barcelona, 2002, 2004, 2005), Ars Electronica (Linz, 2003, 2009), at the CAC of Sienna (Italy, 2004), Musée d’Art Contemporain de Lyon (France, 1997), Nuits Blanches Paris 2004, 2008, Amiens 2007, Metz 2009, Bruxelles et Madrid 2010). Antoine Schmitt’s work is part of the collections of the Espace Gantner Bourogne,France and of the Digitalarti Fund Paris, France.

菲利斯·德·丝蒂尼·德奥文

Felicie d’Estienne d’Orves(法)

照片摄影：Thierry Arditti

Photo by Thierry Arditti

菲利斯·德丝蒂尼·德奥文于1979年出生于希腊。其装置作品使用光，声音和空间来创造一个具有启发性的感官新世界，并重新定义这些材料的限制和我们理解力的极限，作品试图探讨光的意义。她的理念超越了单纯的解释和定义，作品同时富含简单和复杂性，期望观众通过亲身参与来感受作品。她曾参加2008年的Nuit Blanche及2009年和2001年的两届EXIT艺术节。

Born in 1979 in Greece, Felicie d'Estienne d'Orves is a French artist whose work explores the meaning of light. Her installations use light, sound and space to create an inspiring, new sensory world, which re-defines the very limit of these materials and our perception. The resulting work is complex and simple at the same time. It invites the audience to experience the art through participation. Individual perception remains beyond explanation or definition. She has participated in Nuit Blanche 2008 and EXIT 2009 and 2011.

法兰斯·卡德

France Cadet(法)

照片摄影：Nathanaël Vittrant

Photo by Nathanaël Vittrant

法国艺术家法兰斯·卡德出生于1971年，以科学专业起家，之后转向艺术之路，其作品表达对科学技术的讽刺。如今，她在艾克斯普罗旺斯艺术学院教授机器人学，以机器人和涉及生物导向的新媒体艺术而闻名。法兰斯·卡德不仅在欧洲，还于中国、美国、日本、韩国、巴西等多地举办过国家级和国际级展览。同时，她曾荣获马德里VIDA 6.0一等奖，东京数字体育场奖(Digital Stadium Awards)。她的一件作品被收藏于西班牙MEIAC当代美术馆。

法兰斯·卡德的多个作品对商业机械狗进行电子操作手术，改制原有程序以使其产生非常规的行为。通过这些新创造的奇怪物种，探讨克隆试验、优生学的危险性、动物权利等问题。以事实为根据，通过讽刺手法提出对社会伦理问题和未来科技泛滥可能带来的后果进行批判。

Born in 1971, France Cadet is a French Artist whose work ironically raises questions about various aspects of science. At first, she studied sciences before finding her way to arts. Today she teaches robotics at the Fine-Arts School of Aix-en-Provence. Known for her robotic and bio-oriented new media art, she has done solo and group exhibitions on a national and international level not only in Europe but also in Japan, Korea, China, Brazil and United States. She received the first Prize of VIDA 6.0 in Madrid, and the Digital Stadium Awards in Tokyo. The Museum of Contemporary Art MEIAC in Spain acquired one of her work.

In many of her pieces, she uses a commercial robotic dog on which she performs electronic surgery, customizes their forms, and reprograms them with unusual behaviors. These strange new creatures allow her to embody questions concerning animal rights, dangers of cloning and eugenics. She makes a critical social comment about ethical questions and possible consequences of a technologically driven future, through ironical characterization based on facts.

奥利维尔·瑞兹

Olivier Ratsi(法)

身为视觉艺术家，奥利维尔·哈兹在作品创作中主要表现空间感知和现实经验。他利用解构空间和时间来进行创作，以解构主义或碎片化的行为作为情感的出发点。其创作过程的重心并非在于展现事物本身，而是引导观者去质疑事物的参考来源，从而打破原本的意义，并提出一个新的视角，为观者提供一种全新的体验，提出用另一种方式来看待实践和空间。

他的作品由摄影，数字绘图，录像，装置、表演等多种不同领域组成，每次的创作过程都以不同面貌呈现，从而提出新的视角。

2007年，奥利维尔·哈兹与伙伴们共同创立了致力于创作视听传达，建筑表演和光装置等作品的“AntiVJ” 视觉团体。

Olivier Ratsi is a visual artist. His work is mainly based on the representations of the perception of space and the experience of reality.

He developed a creative process based on the deconstruction of space and time. The deconstruction or fragmentation acts mainly as an emotion trigger, which does not aim at showing what things could be, but more at questioning their references. Its aim is to generate a break gap with the meaning of the original items, to propose so as to offer a new viewing angle and to provide the public with a new field of experience, another way of looking at space and time.

His works take shape through different artistic fields: photography, digital painting, video, installation volume and performance, which present the creative process in a different way, so as to give a new angle to his creations every time.

In 2007, Olivier Ratsi co-founded “AntiVJ” in 2007, a “visual label” specialized in audiovisual projections, architectural performances and light installations.