吴珏辉

Wu Juehui

吴珏辉，1980年出生。2003年毕业于杭州师范学院应用美术专业，获学士学位;2006年毕业于中国美术学院新媒体系，获硕士学位，而后留校任教。

吴珏辉参与的其他重要项目有：2007年上海电子艺术节开幕演出“感·动”新视觉电子音乐会;2008年上海电子艺术节“河流体”全景户外开幕特演。同时结合项目实践，他与另外两位杭州电子科技大学的专家联合发表了论文——《实时抠像技术在舞台环境中的实现》。

主要的参展经历有：

2008年，“合成时代-媒体中国2008”，国际新媒体艺术作品展”，中国美术馆，北京

2007年，“中国新方向”，plug-in，巴塞尔

2006年，“没事——当代艺术展”，杭州

2006年，“超设计——2006上海双年展国际学生展”，上海城市雕塑艺术中心，上海

2006年，“此时-彼时—一次性消费——装修OACT”，深圳OCT当代艺术中心，深圳

2006年，“抬头见喜—杭州2006年当代艺术个案展”，杭州

2005年，三/三O六

2005年，“乱码—80后青年艺术家联展”，杭州师范学院现代美术馆，杭州

2005年，“让一些念头被看到”，杭州师范学院现代美术馆，杭州

中国新媒体艺术节，中国美术学院南山校区，杭州

2003年，“冢——新媒体艺术展”，31号艺术空间

Wu Juehui was born in 1980 in Hangzhou. He graduated from Hangzhou Normal University in 2003, with a degree in Applied Art. After graduating from New Media Department, China Academy of Art with the MA degree, he started teaching in the same department. The selected exhibitions of Wu Juehui include: “Synthetic Time: Media Art China 2008” International New Media Art Exhibition, National Art Museum Of China; New Directions from China, Plug-in, Basel (2007); It’s All Right-Contemporary Art Exhibition, Hangzhou (2006); Hyper Design-2006 Students’ Exhibition of Shanghai Biennale; Temporality/When – One-off Consume – Decorating OACT, OCT of He Xiangning Art Museum, Shen Zhen (2006); “Tai Tou Jian Xi” Hangzhou Contemporary Art Exhibition 2006; Three/Three 0 Six (2005); Mess Code – After 80 Young Artist Group Show, MoMA of Hangzhou Normal University (2005); Make Some Thoughts to be Seen, MoMA of Hangzhou Normal University (2005); 2004 China New Media Art Festival 2004, China Academy of Art; Grave – New Media Art Exhibition, No.31 Art Space (2003). The other important projects that Wu experienced include: “Feeling and Moving” New Vision E-Concert – The Opening Performance of Shanghai eARTS Festival 2007; “Streaming Objects” New Media Art River Event of Shanghai eARts Festival 2008. With two experts from Hangzhou Dianzi University, Wu published the thesis, Implement Real-Time Matting Technology in Stage Environment.

张辽源

Zhang Liaoyuan

1980年出生于山东。毕业杭州的中国美术学院。张辽源尤其感兴趣的是挖掘来自不同职业的观众对其作品的感受。

2008年，张辽源在上海比翼艺术中心举行个展：“一个展览”。此外参与的展览包括：仁川国际媒体艺术节(韩国仁川)，“就尬”杭州现象X青年艺术家联展(杭州一三次方空间)，“再实验-智性与意志的重申”(北京798艺术节)，“日常规训”(上海沪申画廊)， “泰坦尼克” (黄金町KOGANECHO BAZAAR，横滨，日本)，“Le Fresnoy-Studio national des arts contemporains”(法国)。

Born in Shandong in 1980. Zhang graduated from China Academy of Art. He is particularly interested in the reactions to his works from people engaged in different occupations.

In 2008, Zhang had his solo exhibition “An Exhibition” at Bizart Art Center, Shanghai. He has also showed in many other exhibitions including Incheon International Digital Art Festival2010 (Incheon, Korea), “THAT IS IT?”, ECUBE CONTEMPORARY (Hangzhou), “Re-experimentation: a reaffirmation of enlightenment and will”, 798 Festival (Beijing), “Daily Rituals” Shanghai Gallery of art (Shanghai), “Titanic”, KOGANECHO BAZAAR (Yokohama, Japan) and “Le Fresnoy-Studio national des arts contemporains” (France).

王仲堃

Wang Chungkun

1982年出生于台湾高雄。

从2005年起，王仲堃即开始投入了声音装置和多媒体声音表演的创作中。如同多数台湾年轻艺术家，王仲堃并不企图去讨论社会性或是政治议题，也不同于其他艺术家想表达情感。他专注于工艺品质的创作及讨论声音和机械媒材的本质概念。王仲堃的作品通过技术来表达物理或是机械的本质美。在他的装置作品中，往往可以直接看到物理及机械运作的逻辑。形式上能让人联想起机械装置艺术的早期发展形式。

王仲堃的作品在多个联展中展出，如台北数字艺术节，北京“心在作用”联展以及他在台北的个展“表皮”。

Wang was born in Kaohsiung, Taiwan in 1982.

Since 2005, Wang has dedicated himself to sound installations and multi-media performances. Like most young artists in Taiwan, Wang is indifferent to social and political discussions. He also distinguishes himself from artists using art as a representation of emotions. In fact, he refuses to include emotions in his work. He explores the idea of sound and mechanical media. By using technology, Wang’s work exhibits the inner beauty of Physics and Mechanism, the logic of which often shows up in his installations. His work reminds viewers of the early forms of mechanical art.

He has showed in many solo and group exhibitions, such as Taipei Digital Art Festival in Taiwan, Mind Effects in Beijing, and his solo exhibition Skin in Taipei.

姚仲涵

Yao Chunghan

1981年生于台北。获国立台北艺术大学科技艺术研究所艺术硕士，擅长声音及空间装置艺术。2005年发起声音组织“i/O Lab”，策划台湾年轻创作者的演出计划如“南海哈声”、“失声祭”、“聊音计划”，致力于推广台湾声音艺术文化，是台湾十分活跃的声音艺术家。2008年曾获台北数位艺术节声音艺术首奖，并受邀参加日本“福冈亚洲艺术三年展”(2009年);日本“NTT ICC-Emergencies!014”(2010年);荷兰“STEIM - Massive Light Boner”(2010年)展览活动。近年来多次创作发表于亚洲各城市及欧洲。

姚仲涵的作品及表演透过日光灯与声音之间的对比触发观者对自身“身体感“的想像。目前为专职艺术创作者与台湾实践大学建筑设计学系兼任讲师。

Born in Taipei in 1981. Yao has a Master’s degree from the Graduate Institute of Arts and Technology, Taipei National University of the Arts. Yao specializes in sound installations and live performances.

As an active emerging sound artist, Yao founded “i/O Lab.” in 2005 to organize sound performances including “Nan-Hai Sound”, “Lacking Sound Festival” and “U*SOUND”. These events gave young sound artists a stage, also brought more audiences into this field in Taiwan.

In 2008, Yao was awarded Sound Art Prize at Taipei Digital Art Festival (Taiwan). He also gained international praises, performed and exhibited in several Asian cities and Europe. He was invited to "The Fukuoka Asian Art Triennale" (2009, Japan), "NTT ICC - Emergincies!014" in Tokyo (2010, Japan), "STEIM - Massive Light Boner" in Amsterdam (2010, Netherlands).

His works show the contract between light and sound, trying to evoke the body senses of the audience. Fluorescent tubes and laser were constantly used in Yao’s works as the source of light. Now he lectures at Architecture Department, Shih Chien University as an Adjunct Instructor where he earned a bachelor’s degree.