《无舟有桨图 Scene of Paddle without Boat》

《斗艳 To Compare Beauty》

新时代画廊 New Age Gallery

杨振成 Yang Zhencheng，1984年出生于中国辽宁；现生活和工作于中国北京（Lives and works in Beijing, China）。

现代文明的铜墙铁壁是越来越坚实可信，还是越来越不堪一击？消费商品浪潮能负载自由与民主的航船吗？现代文明是改善了人类还是异化了人类？由人类主体无限膨胀而促使无限度的进行各种发明的结果，是利大于弊还是相反？

Is our fully armed modern civilization getting increasingly impregnable or

vulnerable? Will the big waves of consumption safely send our boat of freedom and democracy to the shore? Has the modern civilization improved the human race or alienated them? Do the benefits of inventions born of man's overconfidence outweigh its risks? Or vice versa?

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杨振成 Yang Zhencheng《斗艳 To Compare Beauty》2011布面油画 Oil on canvas 200x180 cm 

那危 Na Wei，1982年出生于中国辽宁；现生活和工作于中国北京（Lives and works in Beijing, China）。

那危作品中混合了多种绘画风格，将信息时代中的平面美学精致地呈献给观者。因为混合，他的作品中充满了传统意义上绘画语言和逻辑上的矛盾，但是在美学的角度这些矛盾又有机地统一，形成新的意义和价值。

As a blending of different pictorial styles, Na Wei's works exquisitely deliver to the viewers the planar aesthetics in the information age. Also, the blending leads to a lot of conflicts between the pictorial language and logic in the traditional sense, which, however, leads to new significance and value by forming a harmonious unity in the perspective of aesthetics

那危 Na Wei《无舟有桨图 Scene of Paddle without Boat》2010布面油画 Oil on canvas 170x150cmx3pcs 

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